- Sacramento, CA
Jason Lebrecht's Social Stream
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See all my recipe videos here: https://vimeo.com/album/3489452
For licensing, email licensing@markcersosimo.com
Ingredients:
6 slices of bread
Any fillings desired
2 eggs
3 tablespoons milk
⅓ cup sugar
1 teaspoon cinnamon
Butter for your fry pan
Maple syrup, if desired
Instructions:
- Remove crust from the bread and then flatten it.
- Place about a teaspoon of each of your chosen filling, spread this out in a strip.
- Roll the bread up and repeat until they're all filled.
- Combine your sugar and cinnamon in a shallow dish and set aside.
- Whisk your eggs and milk, and dip the roll up into it.
- Melt your butter on your skillet which should be set on medium heat.
- Place your roll ups on your hot buttered griddle and cook all sides until golden brown.
- When browned, remove from the griddle and coat with cinnamon sugar.
- Drizzle or dunk in maple syrup, if you want.
Created by: Mark Cersosimo
Hands by: Crystal Diaz
Music: Avalanche (Star Slinger Remix) by Blackbird, Blackbird
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Two drones emerge from the depths of an underground parking lot
and creep towards the light through a half-open gate. Along the
architectural structures of Montréal's Olympic Park they drift, pausing at
the windows, in search of something, or someone...
As part of the #MTLmoments / Perspectives project, Tourisme Montréal gave
8 Montréal film directors carte blanche to create 8 short films. See what
happens at mtlmoments.com/perspectives
Dans le cadre du projet #MTLmoments / Perspectives, Tourisme Montréal a
donné carte blanche à huit réalisateurs montréalais dans la création de 8
courts métrages. Découvrez-les ici à mtlmoments.com/perspectives.
Deux drones émergent du fond d¹un stationnement souterrain et
se faufilent vers la lumière par une grille entrouverte. Le long des
structures architecturales du Parc olympique, ils se suivent, se
poursuivent et s'arrêtent aux fenêtres à la recherche de quelque chose, de
quelqu'un...
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Gift of Gab is a portrait of iconic artist Timothy Parker, from the seminal hip-hop group Blackalicious, whose battle with kidney disease ends up fueling the creation of their first album in 10 years. Directed by Michael Jacobs, the film premiered at the 2016 Tribeca Film Festival.
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The new album from Steven Wilson “4 ½” is OUT NOW, so titled because it forms an interim release between Steven’s recently released fourth album Hand. Cannot. Erase. and the next studio album.
CD: http://smarturl.it/4_AND_A_HALF_CD
Vinyl: http://smarturl.it/4_AND_A_HALF_Vinyl
Blu-Ray: http://smarturl.it/4_AND_A_HALF_BluRay
Digital: http://smarturl.it/4_AND_A_HALF_DIGITAL
Steven Wilson has launched the stunning animated video for ‘Routine’. The hugely emotive track featuring a beautiful guest vocal performance by Ninet Tayeb is taken from his latest album Hand. Cannot. Erase.
Steven Wilson “Amongst the hundreds of songs I have written over the years Routine has a very special place. It’s a deeply sad story of loss and denial, but at its conclusion the clouds lift and there is acceptance at least. Having worked with her on 3 previous videos, I knew as soon as I wrote it that it was perfect for Jess to do something amazing with. Even then nothing prepared me for the organic beauty and power of the film she made, a painstaking labour of love that took her months to produce. When we play the song live I look out into the audience and see people swept away with emotion at the combination of music and animation. To find poetry and beauty in sadness is a wonderful thing I think.”
Director Jess Cope of Owlhouse Studios (www.OwlHouseStudios.com) talks about working with Steven Wilson and the creation of the ‘Routine’ video “Routine is the forth film that Owl House Studio has made in collaboration with Steven Wilson and the biggest one yet. The story centres on a woman dealing with the tragic loss of her family and the routine she creates for herself to try and cope. The themes in Steven’s music are often quite morbid and macabre and when we heard Routine for the first time, Tom Kaye (Writer/Producer) and I knew the story had to be really strong, to do justice to the music.
Working with Steven is always a fantastic experience for us creatively. In the early stages, Steven often has a strong concept in mind for a song or album, but allows us the creative freedom to add our own style and ideas to it.
Our use of traditional animation and the painstaking efforts of the whole Owl House Studios team, have resulted in a film with a level of beauty and detail not previously achieved by the studio – at the same time it is simple enough that the music always drives the story.
We’re so pleased with the look of the puppet and sets, and especially the level of detail Alison Cross (Art Director/Prop Maker) managed to get into the props. This project also saw us working with Adam Oehlers (Concept Artist) for the first time and he was able to capture the tone from our script so perfectly. Working with such a diverse team and amazingly talented animators, we were able to bring this woman’s world to life.
I’m proud of all the films we’ve made with Steven Wilson, but I’m especially fond of ‘Routine’. The response we’ve received has been phenomenal. It’s incredibly humbling to see that something we’ve helped create has touched so many people and reduced a good number of them to tears… It’s an extraordinary and ironic satisfaction!
Hand. Cannot. Erase. the fourth solo album from the four-time Grammy nominee, multi-instrumentalist and producer has received universal praise from the media and fans alike rewarding Steven Wilson his highest chart positions worldwide including UK #13 ,Germany # 3, Netherlands #2, USA – #39 Billboard Top 200, Canada #24 & Finland #4 national album charts. Steven Wilson was, recently, awarded an unprecedented 3 PROG Magazine Awards for Hand. Cannot. Erase. including Best Album, Commercial Breakthrough, and Boxset Design alongside a nomination for Classic Rock Magazine’s Album Of The Year.
With sold out shows around the world including his 2 recent performances at London’s prestigious Royal Albert Hall Steven Wilson will be continuing to tour Hand. Cannot. Erase. starting in Germany on January 12th, the 2016 European tour takes Steven to Belgium, Holland, UK, France, Denmark, Sweden, Finland, Russia, Hungary, Italy and Greece. Check http://www.stevenwilsonhq.com for dates
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A poor, dumb sap, Elijah Stryder and his wife, Mrs. Stryder, are attacked by the nefarious Ailester Hall and left for dead in the wild wild west. That poor sap, Stryder, awakens with a mysterious green colored list of prophecies that lead him on a journey of fun and fancy free adventures with his skeptical partner, Sergio. There is only one caveat, Stryder is not allowed to take revenge on the man who shot and killed his wife. Can Stryder keep his composure and learn how to forgive, or will he ruin it for everybody? It might be the latter.
For More of our Movies Check Out:
www.babyunderthemoon.com / eric.r.lim@gmail.com
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www.StephenReedy.com / Stephen@StephenReedy.com
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Although our small TRON: Legacy GFX Team was knee deep on other parts of the film, there was no passing up the opportunity to work on the opening sequence where a single graphic line ultimately transforms into a photoreal city, all in a single camera move.
Gmunk, David Lewandowski (dlew) and I worked closely with director (and architect) Joseph Kosinski to strike the right visual balance that evoked the feeling of the original 1982 light bike battle in its graphic simplicity with the need for the light lines to ultimately build enough structure for a transition to a photoreal city.
I spent some good one on one time early on with Google Maps to analyze the building structures of downtown Vancouver B.C. for building shapes that would allow for interesting line animation. From there it was a study in the composition, styling and animation quality of the linework to find what worked best. I pushed for the idea to have the traveling light lines light up a grid of points that defined the 3d space of the traveling line(s) to give the grid more parallax and interest throughout the line animation (in the process video below).
TRON: Legacy - Opening Titles GFX Credit List:
Director: Joseph Kosinski
VFX Facility: Digital Domain
VFX Supervisor: Eric Barba
Lead Graphics Artists: Bradley G Munkowitz, Jake Sargeant, David Lewandowski
Lead Modeler / Animator: David Lewandowski
Graphics Compositor: Jake Maymudes
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It’s not a secret we love robots here at BLR, so we wanted them to be the heroes in our latest promo clip. Luxury cars with powerful engines to drive through roads under severe speed restrictions, cable TV that allows us to pay to watch all kind of sports, all from our comfortable sofa, and of course, hyper expensive cell phones that do almost everything but making a decent phone call.
Yes, our happiness is based on things we don’t need and governed by entities we don’t control, so what? Sit down and turn on the tv!
The robots were taken from real Japanese robot model kits, and they now hold a privileged position in our freak museum. The bad guy spits real smoke out of its mouth! The environment is made of cardboard houses that were integrated with the help of camera tweaks. It all serves to the purpose of creating a dumb homogeneous atmosphere in which we’re defined by what we’ve got, that is, the same lame things.
Don’t take the message too seriously. This is a promo video we’ve done to laugh at ourselves. We all have an i-diot inside, and it’s so fun!
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A tale by Big Lazy Robot VFX
Music and sound design by Full Basstards
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Brixton has degenerated into a disregarded area inhabited by London's new robot workforce - robots built and designed to carry out all of the tasks which humans are no longer inclined to do. The mechanical population of Brixton has rocketed, resulting in unplanned, cheap and quick additions to the skyline.
The film follows the trials and tribulations of young robots surviving at the sharp end of inner city life, living the predictable existence of a populous hemmed in by poverty, disillusionment and mass unemployment. When the Police invade the one space which the robots can call their own, the fierce and strained relationship between the two sides explodes into an outbreak of violence echoing that of 1981.
With Support from
Kibwe Tavares - Direction, animation, modeling, lighting, texturingetc...
David Hoffman - Photographer Brixton riots http://archive.hoffmanphotos.com/
Mourad Bennacer - Sound Designer http://designsonore.tumblr.com/
DJ Hiatus "The Great Insurrection" www.hiatusmusic.net
For more supercool projects
www.factoryfifteen.com
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A new web series about a young hotshot cop...who keeps getting his partners killed.
Created & written by:
Josh Margolin
Quinn Beswick
Directed by:
James Gallagher
Produced by:
Charlie Alderman
Featuring:
Wayne Knight
Nick Searcy
Josh Fadem
Sasha Spielberg
Josh Margolin
Quinn Beswick
Zachary Webber
Caroline Fox
Cooper Lewis
Jordan VanDina
Cinematography by:
Travis LaBella
Associate Producers:
Jarrad Kritzstein
Josh Kirschenbaum
Executive Producer:
Karah Preiss
Production Design:
Sarah Lund
Original Score:
Leland Cox
Sound Recordist:
Terence Deutsch
Sound Editor:
Abby Potts
Gaffer:
Declan Fox
Editor:
Josh Margolin
Visual Effects:
Jarrad Kritzstein
Color:
Travis LaBella
Bastard Phelps Productions (2014)
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Created by Jeff Desom
Models by Oli Pesch
More Info: jeffdesom.com/holorama
Inspired by the great tradition of optical theatres, Holorama brings several iconic scenes from the history of cinema back to life. From Twin Peaks to The Big Lebowski, Holorama gives these famous scenes a third dimension using a simple holographic process based on a semi-transparent screen, mixing the image of an extremely faithfully built model with the characters extracted from the original scene. A new perspective and a tribute to cinema, accessible to all.
Music:
Vanessa - Bernie Wayne/Hugo Winterhalter
Adonai - Ennio Morricone
Thanks To:
Alexis Juncosa & Gladys Lazareff - Luxembourg City Film Festival
Florence Thurmes - Rubert Schuman Art Prize
CNA Luxembourg
Raoul Henri
Inspired by Charles-Émile Reynaud’s Pantomimes Lumineuses (1876)
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Páll Pálsson has been a man of the sea for 36 years. With a life of fishing, comes a life of little sleep. Research shows that nearly half of Icelandic fishermen suffer from sleep-related disorders such as chronic fatigue and apnea.
Executive Producers: Kaylee King-Balentine, Steven Richardson
Producers: Raquel Bubar, Rupert Savage
Post Producer: Lauren Tyson
Production Assistants: Jenna Haddaway, Sarah Thomas
Fixer: Daddi Haraldur
Director: Gregory Hackett
Focus Puller: Jon England
Camera Assistant: Carolina Salas
Drone Operator: Ozzo Photography
1st Assistant Director: Steve Wingrove
Photographer: Tristan Conor Holden
Editor: Tim Swaby
Grade: The Mill
Composer: Rob Law
Sound Designer: Martin Leitner, Wave Studios
Produced by: T Brand Studio and Spindle
Special Thanks: Páll Pálsson
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Official Selection Florida Film Festival 2017
Every night in December people in a small suburb of Philadelphia flock to a holiday light show. They drive at a snails pace through the 2 mile stretch of beautiful light displays, listening to holiday music, soaking up the Christmas spirit. But at the end of each night one man drives the stretch alone, turning off all of the lights, ending the joy day after day. This is his story.
A film by James P. Gannon
Starring James D. Cochran
Music by Low, Yo La Tengo, Paul Whiteman, Robert Gayler, & Vientian Trio
A Pocket Storms Production
www.pocketstorms.com
www.jamespgannon.com
www.shortoftheweek.com/2015/12/24/the-christmas-light-killer/
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Directed by: Ian Pons Jewell
Written by Ian Pons Jewell & Dobi Manolova
Producer: Dobi Manolova
Prod Co: FRIEND & B2Y Productions
Commissioner: Elizabeth Doonan
DOP: Ben Fordesman
Line Producer: Alexander Kenanov
Unit Production Manager: Galabena Botova
Producer Nu Boyana: Yariv Lerner
Editor: Gaia Borretti
Sound Designer: Seb Bruen
Colour: Hux Huxtable (Luke Morrison) @ The Mill
Colour Producer: Samantha Letzler @ The Mill
VFX: Four Walls
Flame Artist: Andy Brown @ Four Walls
3D Artist: Dave Child @ Four Walls
VFX Producer: Glen Percival @ Four Walls
Additional VFX (Clean ups / End Shot) : Dimitar Itskov
1st Assistant Director: Yana Viktorova
Location Manager: Denitza Katzarska
Casting Director: Nina Boyanova
Cast PA: Aleksandrina Kozovska
Transport Manager: Nikola Marik
Key PA: Rosen Ignatov
PA: Alexander Dimitrov
Steadicam: Kiril Valchanov
1st Assistant Camera: Kaloyan Nedelchev
2nd Assistant Camera: Simona Ravalieva
Video Control: Georgi Sirakov
Playback: Alexander Dimitrov
Gaffer: Ivaylo Genchev
Electrician: Konstantin Bodurov
Electrician: Georgi Tzvetkov
Key Grip: Vihar Nikolov
Grip: Alexander Petrov
Art Director: Severina Stoyanova
Set Dresser: Yordan Dimitrov
Stand-by Props: Borislav Milotinov
Stylist: Goranov Tsvetomir
Makeup & Hair: Sofi Hvarleva
Catering: Valentin Valchev @ V&V
On-set Medic: Tzvetelina Hadjieva
Talent: Adja Kaba @ Wanted Models, Paris
VERY Special Thanks:
Yariv Lerner and Nu Boyana Studios
Galabena Botova and Alexander Kenanov @ B2Y
Stela Pavlova and Angel Apostolski @ Push Pull
Svetoslav Petrov @ Boyscout
Yo Vo
Mathieu Brelière
Allie Avital Tsypin
Ninian Doff
CAST
2 Library Man - Orlin Hristov
3 Lady in White - Yavora Georgieva
4 Man 1 Georgi Georgiev
5 Man 2 Tervel Nestov
6 Man 3 Veselin Beremliiski
7 Fork Man - Daniel Rashev
8 Fork Man's Wife - Aleksandra Spasova
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Before Edgar Wright and Wes Anderson, before Chuck Jones and Jackie Chan, there was Buster Keaton, one of the founding fathers of visual comedy. And nearly 100 years after he first appeared onscreen, we’re still learning from him. Today, i’d like to talk about the artistry (and the thinking) behind his gags. Press the CC button to see the names of the films.
For educational purposes only. You can donate to support the channel at
Patreon: http://www.patreon.com/everyframeapainting
And follow me on:
Twitter: https://twitter.com/tonyszhou
Facebook: https://www.facebook.com/everyframeapainting
Music:
Alexandre Desplat - Escape Concerto
Paul Simon - Me and Julio Down by the Schoolyard
Mark Mothersbaugh - Piranhas Are a Very Tricky Species
Mark Mothersbaugh - Bookstore Robbery
Alexandre Desplat - The Lutz Police Militia
English Chamber Orchestra - Playful Pizzicato
Alexandre Desplat - Kristofferson’s Theme
Devo - Gut Feeling
Recommended Reading & Viewing:
The Gag Man by Matthew Dessem - http://thecriticalpress.com/books/the-gag-man/
Keaton by Rudi Blesh - http://www.amazon.com/dp/0025115707/
Buster Keaton: A Hard Act to Follow (1987) - https://www.youtube.com/watch?v=WjCDuNzv6yM
Studs Terkel Interviews Buster Keaton - http://studsterkel.wfmt.com/blog/interview-with-buster-keaton/
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Director/Producer:
Nicos Livesey
Executive Producer:
Bart Yates
Producer:
Alli Albion
Production Manager:
Jen Newman
Making Stuff Happen:
Matt Marsh
DoP:
Christophe Leignel
Lead Animator:
Lee Hardcastle
Animators:
Andy Biddle
Carmen Mason
Luke George
Nicos Livesey
Model Makers:
Pixie Highley
Lynn Yun
Sara Aunbirk
Isabel Garratt
Rachael Olga Lloyd
Emma Rose-Dade
Guy Verge Wallace
Will Horne
Harriet Upson
Adeena Grubb
Jake Hovell
Holly James
Kat Simpson
Yan Wong
Stephanie Hope
Nicos Livesey
Band Head Sculpts & Moulds:
Davide Losi
Runner:
Ollie Bensley
Making of:
David O’Neill
Compositors:
Felip Docolomansky
Simone Ghilardotti
Valeria Di Claudio
Grade:
Joseph Bicknell
With thanks to:
Newplast Products Limited
Clapham Road Studios
Blinkink Studio
Radkey
Channel 4
Strange Loop Records
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Cisco came to Psyop with an ambitious and far reaching campaign idea.
To begin, we made a fully animated CG spot with interactive pause moments for the iPad. The same building models we built in CG then drove the 3D Printing for a physical installation in San Francisco. Phone pairing, bus shelter ads, and arduinos oh my!
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Here's a short turntable rendered in Keyshot of the Day 11 March of Robots "Social Media Bot"
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The Age of Robots is a 6-part journey through the state of the art of robotics Created and Directed by Massimo Brega.
Category:Documentary, Science, Society / Producer: Massimo Brega & Sara Resnati, Kepach productions/ Director:Massimo Brega / Duration:6 x 26min or 6 x 52min / Format:HD / Year:2014 /international disributor: Flame / www.flamedistribution.com.
What is a robot? It is a mechanical device capable of interacting with its environment; it is a shell for an artificial intelligence; it is a machine that can autonomously perform an assigned task.
But it's also much more than this, something that escapes baseline definitions and has fascinated humanity for centuries.
Robotics is at a crucial point in its evolution, an interesting and exciting time during which it's coming to terms with a number of technical, practical and even philosophical issues. We will record this key moment in history also through the decisive contributions that European research labs are offering to the field.
The aim of this series is to guide the viewer through the discovery of the most intriguing projects that Europe has to offer to robotics, getting to know machines and ideas that will impact our future, or are already part of our everyday lives.
To achieve this, we will see many different kind of robots in action, from androids created to entertain to machines designed to explore inhospitable habitats, from the wonders of biomimetics to the cities of tomorrow. A unique, exciting and accessible point of view, that will hopefully persuade the viewer that robotics no longer belong to science fiction, but to contemporary reality.
Throughout the journey, a panel of three experts will analyze the proceedings and offer words of commentary and guidance on each episode's robots and technologies. Nick Bostrom, philosopher and Director of the Programme on the Impacts of Future Technology at the University of Oxford, will trace a path to the future, dealing with the possible impact of these technologies on human society. Carlo Ratti, engineer and Director of Department of Urban Studies and Planning at MIT, will offer a technical point of view on current research. And Bertolt Meyer, psychologist at the University of Zurich who was born with a congenitally missing lower left arm and wears a prosthetic limb, will handle the psychological and social standpoint.
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Combining cloud technology and telematics, Xtime needed a video to show the simplicity of use and power of connection between car owners and their auto dealers. Enter VeracityColab and enjoy the ride.
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Telit official trade show video at the Mobile World Congress event. The video needed to explain what Telit does in a way that average consumer could understand. Since what they do is often invisible to the average consumer and behind the scenes, the approach was to literarily take various end products apart and show the hidden inner workings of.
The project was completed under a very tight deadline. My work goes is the design and animation of motion graphic elements, matchmoving of the live action footage and compositing.
sorinvoicu.com
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Your favorite wildman is back. When he isn't attending catholic school he is setting fire to motorbikes and endangering himself at the wedge.
Music by
Earl Sweatshirt
Vince Staples
Ty Segall
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DIRECTOR
Ninian Doff
PRODUCTION COMPANY
Pulse Films
PRODUCER
Rik Green
PRODUCTION MANAGER
Max Horn
EXECUTIVE PRODUCER
Zak Razvi
DIRECTOR OF PHOTOGRAPHY
Ross Mclennan
SERVICE COMPANY
Twentyfour Seven
SERVICE PRODUCER
Ignasi Vargas
ART DIRECTOR
Laia Ateca
HAIR & MAKE-UP
Pedro Rodriguez
STYLIST
Cris Quer
PROSTHETICS
Kristyan Mallett
EDITOR
Ross Hallard
EDITING COMPANY
Trim Editing
OFFLINE
Jemma Daniel
OFFLINE
Harriet Cawley
COLOURIST
Richard Fearon
GRADING COMPANY
MPC
POST PRODUCER
Amy Smith
VFX
Hugo Saunders
SOUND DESIGN
Aaron Reynolds
SOUND
Wave
CASTING DIRECTOR
Aisha Walters
CAST
Hannah John Kamen
Joe Bell
COMMISSIONER
Ailsa Robertson
DIRECTOR'S REPRESENTATION
Joceline Gabriel
SOUND PRODUCER
Maggie McDermott
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A robot avatar that participates in activities for you.
Share the happiness.
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For the last 5 years Nissan’s GT Academy has been transforming the world’s top gamers into professional racing drivers. Through Nismo Lab, Nissan’s team of performance coaches are continually developing new techniques to push these Nismo athletes to their limits.
Jukeride is a unique analysis tool, allowing Nissan to monitor bio metric and telematics data from a wingsuit athlete, discovering what it takes to master this incredible feate of mental strength. Using this data, Nissan will apply these techniques to their driver training programmes, helping them to improve their performance and become the very best.
We were responsible for a large amount of graphics work on the main Nismo vs Wingsuits main video, as well as the behind the scenes edit and also provided a lot of roto and retouching work to fix many inperfections on a lot of the original footage.
This video had over 200k views in its first few days and reached over half a million views after the first week.
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Sound and light installation, Atomium - Brussels -ID#2014
The “Out of Control” installation explores the question of Singularity: the inevitable rise of the Super Machine - longed-for or feared - which, according to some theorists, should occur around 2030, i.e. in the blink of an eye.
While the emergence of the first Artificial Intelligence remains a sci-fi theme, the nature and associated risks of such technology has long been a topic of reflection for authors. As early as 1946, Murray Leinster’s novel, “A Logic Named Joe”, imagined the excesses of a hypothetical global computer network capable of attaining a pseudo-conscience.
The stronger the machine, the more worrying its malfunctioning may be. “Out of Control” deals with this issue from the inside, not from the human but from the machine’s point of view, portraying the inner conflict of a faulty artificial system which suffers an external attack, unaware of what or why this has happened.
The nature and history of the Atomium make it the ideal location for this installation. The site embodies the Golden Age of sci-fi, when questions first arose regarding the relationship between humankind and conscious machines (Asimov and its three laws of robotics). The Atomium was built during a time period which saw the future both as a promise of advancement and as a source of concern. The era of the atom, of course, but also that of telematics, very high speed trains, and supersonic aircrafts. Opportunities were being discerned. Fifty years later, the questions remain.
By welcoming the “Out of Control” lost machine, the Atomium reminds us that technology never stops questioning humankind about its nature.
Atomium Brussels
TEAM VS:Julien guinard . Vincent obadia
Benjamin Lorthioir . Pierre Gufflet
Ambroise Mouline . Joachim Correia . Tom Modeste. Sebastien Escudié, Valère Terrier .
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Création musical : Thomas Vaquié
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Sur une nouvelle originale de Stéphane Beauverger
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Music video directed/ edited/ shot by Wong Ping
Eyes (Emo Punk Angry Love Song)
Your eyes, your hair, your face, you’re my babe
Your smile, your voice, your care, you’re my babe
Your touch, your hug, your love, you’re my babe
But you run, but you run, now you left, my only babe
For all the times we changed our minds
For everything we left behind
www.facebook.com/teenageriothk
www.facebook.com/mr.wongpinglab
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The gateway to better infrastructure management and new opportunities for your business.
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Date: April .2014
Duration: 50s
Client : ' 한국경제 '
Work: Art Direction, Concept, Design, Motion
Creative Director: Taiho Roh (Daft)
Art Directior : Taiho Roh (Daft)
Design & 2D Artist : Taiho Roh(Daft)
3D Artist: Taiho Roh(Daft)
Detail: http://www.mainconcep-t.com
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Avec “Internet of things” nous franchissons le pas vers une ère nouvelle : le passage d’un système de réseaux interconnectés à un système de réseaux des objets. Cette évolution va nous mener vers un monde avec d’innombrables potentialités et va entraîner d’importantes conséquences sur notre vie de tous les jours.
DG INFSO, commanditaire du projet, souhaite accompagner les citoyens européens dans cette transition particulièrement cruciale. La collaboration entre DG INFSO et KAOS Films a donné vie à un film et 3 teasers qui ont pour ambition de donner les clés pour mieux comprendre ce monde en pleine mutation et qui peut nous échapper. Le film s’articule autour de quatre histoires. Quatre manières d’affronter les situations quotidiennes du monde de l’Internet des choses.
Client: DG INFSO
Agence: TIPIK
Versions linguistiques: EN
Sortie: 2011
Diffusion: Cinéma, web et réseaux sociaux
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In this exclusive SoundWorks Collection sound profile we talk with Sound Designer and Re-recording Mixer Pete Horner and Supervising Sound Editor and Sound Designer Al Nelson from Skywalker Sound about their work on Jurassic World.
Located off the coast of Costa Rica, the Jurassic World luxury resort provides a habitat for an array of genetically engineered dinosaurs, including the vicious and intelligent Indominus rex. When the massive creature escapes, it sets off a chain reaction that causes the other dinos to run amok. Now, it's up to a former military man and animal expert (Chris Pratt) to use his special skills to save two young brothers and the rest of the tourists from an all-out, prehistoric assault.
For more exclusive videos check out www.SoundWorksCollection.com
Join the SoundWorks Collection Vimeo Channel: vimeo.com/channels/soundworkscollection
SoundWorks Collection Mailing List: bit.ly/15lOelU
NOTE: Feel free to re-embed and share this SoundWorks Collection video, but please do not download source video and repost without permission.
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“The Life and Death of an iPhone” is shot entirely on an iPhone, edited on the iPhone about what it’s like to be an iPhone. Seen entirely from the phone’s point-of-view beginning with its inception through its life… death… and ultimately its reincarnation. This is not a PSA.
Made with Cameo: Easily edit and share cinematic videos on your phone with the award-winning app for iOS. Download it for free to start creating: www.vimeo.com/cameo
Directed, Written and Edited by Paul Trillo
Additional Filming by Alex Mallis
Produced by Project Fathom
Produced by Tessa Travis
Associate Producer: Marina Fernandez Ferri
Associate Producer: Brian Streem
Production Assistant: Melanie Kelley
With
Alex Mallis as Lucas
Langan Kingsley as Langan
Factory Worker #1: Frances Pu
Factory Worker #2: Julie Chen
Male Friend #2: Javier
Female Friend #1: Emmy Harrington
Male Friend #1: Evan Jones
Boss: Landon Van Soest
Museum Security: Robert House
Craigslist Buyer: Charles Pang
iPhone Repairman: Brian Peralta
Taxi Driver: Flip
Chinese Businessman: Vincent Leong
Phone Thief: Nate Myers
Taxi Customer (not pictured): Brad Kula
Special Thanks: The Cameo Team, Vimeo, Jason Sondhi, Taylor Newby, the Metropolitan Museum of Art, Landon Von Soest, Cubana Social, Black Bear Bar, Computer Answers, Josh Ruben
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In August 2005, Marine Lance Cpl. Travis Williams and his squad were sent on a rescue mission in Barwanah, Iraq. En route, their vehicle was hit by a roadside bomb. Of Travis' entire 12-person team, he alone survived. Here, Travis reflects on the hours and days after the explosion, as well as his life now, and pays tribute to the men he left behind.
Directed by: The Rauch Brothers
Executive Producers: Donna Galeno, Dave Isay, & Lizzie Jacobs
Producers: Maya Millett & Mike Rauch
Coordinating Producers: Rachel Hartman & Makeba Rasin
Consulting Producer: Michael Garofalo
Art Direction: Bill Wray
Storyboard: Rafael Rosado
Animation: Tim Rauch
Inbetweening: Jae Il Son
Assistant Animation: Brandon Denmark
Production Assistant: Sal Elvezio
Production Interns: Xandra Clark, Cailey Cron
Additional Design: Nick Cross
Compositing and FX: Gary Leib
Animation Production : Rauch Brothers Animation, Inc.
Audio Produced by: Yasmina Guerda &Nadia Reiman
Supervising Sound Recordist: Jorge Rojas
Music: "Alina's Place" by Fredrik, from the Album Na Na Ni (2008), The Kora Records
Published by: House Of Hassle
“I Want to See You Fly” by Christopher Bowen
From the Original Motion Picture $9.99
Moviescore Media (2009)
Published by Christopher Bowen
Special Thanks to: Michael M. Phillips & Kathrina Proscia
In partnership with
American Folklife Center at the Library of Congress
NPR
POV
Funding Provided by
Corporation for Public Broadcasting
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New York City never sleeps, but it is filled with big dreams. Get lost in NoLita. Wonder over to Brooklyn. Eat in Harlem. You may not know your place in this jungle of 8 million New Yorkers. But you may want to stay a little longer.
"One belongs to New York instantly, one belongs to it as much in five minutes as in five years." ? Tom Wolfe
Shot and Edited by
Salvatore D'Alia
http://www.saldalia.com
https://instagram.com/timbuz
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This is an art school where students bring their animation to life. In order to graduate each students must create an animated short within given amount of time. But meeting that deadline is not a simple task.
This is my final film at Calarts as BFA 4.
Bunch of thanks to everybody who helped and supported me along the way make this film possible!
Behind the Scene is here!
http://johncodykim.blogspot.com/2015/04/battle-deadline.html
Also check out other great shorts by other Calarts animation students!
https://vimeo.com/channels/calartscharanimfilms2015
Credit music cover by Dan Florio
https://www.youtube.com/watch?v=VXzhujK3NtY
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Key & Peele told us about an unproduced aliens-at-a-concert sketch. So we animated it for our new series, Scene Unseen.
Produced by: Kristen Harding, Neil Janowitz, and Kyle Ryan
Animated by: Dan Henrick and Kate Oleary
Sound Design: Bobb Barito
Composer: Marc Philippe Eskenazi
Want to animate for us? Shoot us a message with some examples of your work!
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Featuring Bryan Botelho, Matt Town, Jesse Narvaez, Tobin Valverde, and Jameel Douglas in San Francisco.
Edited by Colin Read
Filmed by Colin Read and Zach Chamberlin
thenorthernco.com
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The creative team in SF spruces up the walls.
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Watch BMX rider Gregor Laucht gamble with gravity on the Felt DD 30.
The “Double Dare” video features German BMX/dirt jump rider Gregor Laucht riding the Felt DD 30 on the ski slopes in Switzerland. Filmed in January 2015, the village of Braunwald provides the perfect playground to test the limits of the DD 30 in mint powder conditions, demonstrating the full range of fat bike capabilities.
Special Thanks to:
Braunwald Tourism
The Braunwald Snow Grooming Crew
The Lieberherr Family
Gregor Laucht
Audio: Death From Above 1979 - Trainwreck 1979
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"Moed" means "Courage" in Afrikaans.
Director & DOP // David Dang
Actor // Lunga Tshuka
Voice over // Thabo Mbeki
"I Am an African" was a speech made by Thabo Mbeki on behalf of the African National Congress in Cape Town on 8 May 1996, on the occasion of the passing of the new Constitution of South Africa.
Music // Steve Gibbs (soundcloud.com/stevegibbs)
Special thanks to Dun Inc., HK Corp, TIN TOY and The Armoury Boxing Club
Shot on Panasonic GH4 with the 12-35mm f2.8 lens in Cape Town, South Africa.
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When Seville officials decided to replace the parking lot and bus station in the city center, they were surprised to discover Roman ruins beneath the surface. What to do? This structure, by J. Mayer H. Architects, was the winning scheme in an international competition. Marc Kushner, author of "The Future of Architecture in 100 Buildings," takes us on a virtual tour.
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Riders in order: Sam Ralston, Nathan Kudla, Linden Cool, Harrison McIllhargey, Jacob Craffey, Sam Schowalter, Trent Belmore, and Brett Kulas.
Film: Nathan Kudla
Additional Filming: Sam Schowalter, Jacob Craffey
Edit: Nathan Kudla
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Jeff & Dave Hubbard escape the crowds on the North Shore and seek out some of Hawaii's best secluded surf breaks to test out their newest 2015 bodyboards, wetsuits, fins and accessories. All the footage in this video was shot over a two-day period.
Featuring Jeff & Dave Hubbard
Filmed & Edited by Matthew Tanaka
Music by Axwell "Center of the Universe"
https://itunes.apple.com/us/album/center-universe-radio-edit/id656247460?i=656247535
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